16 Tons Tour
Supported by local bands booked by the local promoter.
Philip wrote…
My friends band the New Matics did support along with Whirlwind. I was lucky enough to get this and saw the Clash soundcheck and got to met them all as well. Great day. Link
updated 7 April 2003
updated 10 July 2008 - added backstage pass
Updated 22 January 2022 with support acts
Audio 1 -
Sound 1.5 - 1st generation - 1hr 19mins - 23 tracks
Jimmy Jazz
9th date of a lengthy tour and The Clash return to the famous De Montfort Hall. This new unknown recording came into circulation in 2002 direct from the taper. Unfortunately the taper only had primitive quality recording equipment which was made worse by trying to record amongst a packed and lively audience.
This new 1st generation recording is sadly a poor one. It has some clarity early on but then the microphone is muffled by clothing and being pressed up against other bodies. There is very little range but some clarity particularly on the first 5 songs. Vocals are distant but not awful, guitars can be heard but the bass is barely present.
The recording starts with the full 16 Tons intro followed by the normal set plus some songs getting a rare airing.
Joe addresses the lively audience before Safe European Home. He tries to talk to one person but can’t understand him “What language do you speak CHINESE! This songs for Mutt & Jeff!, entitled 3 days in Jamaica”.
“Would you be so kind as to welcome Mr Mickey Gluggo Gallagher” . Mickey’s playing adds to Jimmy Jazz and the song gives the band a chance to stretch out making this the highlight of the recording.
“That’s enough of the drag,” says Joe and Mick shouts out “1-2-3-4” and they crash into a great London Calling.
Mick’s playing is now largely free of the dreaded Take the 5th guitar effects pedals, only using them sparingly on this tour. His playing is still highly powerful but he adds to great effect more fills and variety of playing. The excellence of the band’s playing and the quality of the sound equipment used makes it doubly sad that the recordings from the tour are mainly so poor.
The sound now dips further making the rest of the recording barely enjoyable.
“We’ll try - On the route of the 19 Bus” - Rudie Can’t Fail is one of the rarer performances this night. Guns of Brixton goes straight into Train In Vain.
Much of the between song chat from Joe is unintelligible but Joe does have a dig at Mick “Come on Valentino, play the guitar!” Bankrobber has the same arrangement as at the Kampuchea Benefit.
Clampdown is now complete with the great ending, Topper driving the song to a fitting climax but Joe is not yet ad-libbing lyrics over the ending.
Police & Thieves gets a French intro for some reason from Joe and he launches into a rant mid song but the sound is too poor to understand what he’s saying.
Despite the sound the strength of the performance comes through particularly as the pace picks up through Janie Jones and Complete Control to the end of the set.
The first encore begins as usual with Armagideon Time with Joe adding to the performance with his now trademark full range of vocal gymnastic whoops and cries. On this tour Armagideon Time segues into English Civil War before “We’re gonna go back to the beginning now” and Garageland.
The audience demand a second encore and are rewarded with London’s Burning and the now increasingly rare White Riot. A very fine performance but poor recording.
Nigel : A legendary concert in all ways - I had just started work in April and spent my first weeks wages on the Clash Album, I am surprised to see that they played the Poly - I have no recollection of missing it, as far as my memory stands, as soon as the tour was announced I checked the dates and got the tickets. (But I also remember it as costing less than £1.50 so my memory is obviously less than perfect.)
It was my first punk concert and my first impression was that at eighteen and 6' 3", I was 4 years older and two foot taller than the rest of the hall.
Subway Sect - I have little recollection other than competent but not inspiring.
Slits - technically the worst band I have ever seen (and I've seen thousands) - rarely managed to get all 4 to start the same song at the same time, usually ended with drums or bass continuing after the rest finished and they seemed unable to learn that running around each other in circles meant that the leads got tangled up, cutting out guitars & ripping microphones from hand at inappropriate moments. However there were unique with a certain magic about them and I was certainly not put off enough to stop me buying Cut or seeing them live a few years later.
Buzzcocks - superb - I remember them as a lot more aggressive and harder than the poppy band I saw in later years. Spent the next couple of months touring the local record shops of Leicester trying to find someone who could get me a copy of Spiral Scratch.
Clash - amazing - everything I hoped and expected (You've heard the recording and so can image).
De Montfort Hall was one of the best venues in Britain with amazing acoustics, easy to enter or leave and had a decent bar the whole length of one side. Granby Halls was a temporary tin hut of a cattle shed, decades passed its sell by date and acoustically hell on earth (but held 4,500) - Bob Geldolf once spent a whole concert apologising for playing there and the Boomtown Rats did two nights at De Montfort the next tour "rather than ever play Granby Halls ever again".
Coventry Specials - did not spot them then as what became one of my favourite bands of the next decade.
Suicide - loved by the older, art school types at the back (I went out and bought the album) but hated by the skinheads and younger fans at the front. Half the front were lighting boxes of matches and throwing them onto the stage to set fire to the band, fortunately(?) the other half were pissing into the plastic glasses and throwing them at the band thereby putting out the fires. Joe Strummer had to come on to ask the crowd to let them play as he wanted to see them.
Clash - the improved PA was lost on the appalling sound quality of the hall, at the front it was all fuzz and at the back as tinny as hell.
I'm sorry but no recollection of support or anything about the gig other than I saw a great performance of London Calling.
I note on your website that there is a recording and would love to hear it, I have nothing to trade but would be happy to cover any costs of copying and postage.
I was also at Watchfield Aug 1975 and saw the 101ers - I saw three or four days of bands and they were one of only a couple of bands who stood out (and the only one of those who I had not heard of). Good enough for me to have caught most of two sets. However I was convinced that they were called the Fabulous 101ers - I checked out a Watchfield site and although not listed someone has commented "on the first Friday night a riproaring set from the fabulas 101ers" suggests I was not the only one who might have thought this. (http://www.ukrockfestivals.com/watchfieldfestival-menu.html) Hope these are of use to you Regards Nigel Craddock < >
www.ukrockfestivals.com/watchfieldfestival-menu.html
Guitarist Mick Jones performing with English punk band The Clash, London, 16th January 1980. (Photo by Kevin Cummins/Getty Images)
Strummer In Leicester
Singer and guitarist Joe Strummer (1952-2002) performing with English punk group The Clash at the De Montfort Hall, Leicester, 16th January 1980. (Photo by Kevin Cummins/Getty Images)
Did you go? What do you remember?
Info, articles, reviews, comments or photos welcome.
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The Clash played the famous and rather grand De Montfort Hall several times. It was built in 1913 but still in use today. Although normally seated for gigs it would be standing only allowing a capacity of 2,200.
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Clash City Rockers |
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There are several sights that provide setlists but most mirror www.blackmarketclash.co.uk. They are worth checking.
from Setlist FM (cannot be relied on)
from Songkick (cannot be relied on)
... both have lists of people who say they went
& from the newer Concert Database
Also useful: Ultimate Music datbase, All Music, Clash books at DISCOGS
A collection of articles, interviews, reviews, posters, tour dates January, February 1980 covering the period the 16 Tons tour of the UK.
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S&T Fanzine issue #5 Sound & Techno
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Unknown Interview with Joe followed by John Tobler 'Rock On' interview with Mick and Paul
John Tobler 'Rock On' interview with Mick and Paul
Radio Interview with Duncan-Gibbons
BBC Roundtable
The Clash on TISWAS (UK-ITV) on 5th January 1980, promoting London Calling
THE CLASH - RARE INTERVIEW - LONDON WEEKEND TV - 6 JANUARY 1979 - HD
Archive footage when - the clash - appeared on the saturday morning show on 6 january 1979. The official music video of tommy gun was played - this is now available on vevo - and cannot be uploaded here. Joe strummer - paul simonon - topper headon - were live in the studio and were interviewed by elvis payne. It was tx on lwt in london area only - rest of country watched tiswas.
Saturday morning show was introduced by steve jones and elvis payne. The saturday morning show - tx in london area only - ran for 16 shows eventually replaced by the itv networked show - tiswas - with chris tarrant from atv in the midlands
Punk & Its After Shocks
Aylesbury 5 Jan 1980
BBC Nationwide documentary
- 12.39mins - Sound 3
Dundee 18 Jan 1980
Edinburgh 19 Jan 1980
Edinburgh 20 Jan 1980
The live footage probably comes from the two Edinburgh gigs from Jan 19/20th 1980, and not from the 18th Dundee gig. Last 30 secs Londons Burning in nationwide clip does sound a lot like the Londons burning from 20th. It looks like Joe's wearing the same clothes in the van ( nationwide interview) and the soundcheck pictures from the 20th.
Essential Clash DVD
Lewisham 18 Feb 1980
8 mins - 5 sound -
Clampdown & Train In Vain
Source for various officlal single track video and audio sources - 2 videos plus 4 audio tracks. A good listing of the contents of the The Clash's Sound System box set can be found here.
Paris 27 Feb 1980
Quality /sound 5 - 41mins - 13 tracks - excellent
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