Sort it Out Tour Supported by The Slits
updated 12 Feb 2012 - added ticket
Major update Dec 2014 - cataloguing dates of offical releases
There is a lot of confusion over the recordings over three nights; which belongs to which so we have unusualy listed all three with a breakdown of the official and unofficial recordings and which night we believe they originate from. Much confusion There has been confusion over which of the 3 Lyceum dates are the source for the Sort It Out /Buy or Die CD and which for this “Rude Boy” filmed/recorded concert. The pro-recorded gig used in the film IS the 3rd January and NOT the 28th as previously thought. The boots, Sort it Out and Buy or Die are from the 29th, and maybe as stated the 28th as well. The recording from the 3rd is much superior to the boots from the 28th and 29th and nearly as good as they appear on FHTE. FHTE dates the “Rude Boy” gig as 28th December from where I Fought the Law and City of the Dead came and the Clash On Broadway booklet has English Civil War from this concert as recorded January 79. However all three tracks come from the pro-recorded gig of the 3rd January and FHTE has most likely got it wrong. FHTE used the Rude Boy dates which have proven wrong previously; eg. the Music Machine July 78 songs are not from the 27th July as stated. An audience recording would be VERY helpful Thursday 28th December White Riot (28th) There is no way of knowing if the Bootlegs Sort it Out/Buy or Die/USA 79 are from the 28th and the 29th. Sort it Out says it from the 29th with the last two tracks from the 28th. We are going to accept that. Buy or Die is a reissue but with a full Garageland. Friday 29th December Tommy Gun (29th) There is no way of knowing if the Bootlegs Sort it Out/Buy or Die/USA 79 are from the 28th and the 29th. Sort it Out says it from the 29th with the last two tracks from the 28th. We are going to accept that. Buy or Die is a reissue but with a full Garageland. Wednesday 3rd January Complete Control (3rd) We can assume this is the correct date as Joe apologises to ticket holders from the Music Machine gig and Mick says this is the last gig for 6 months. This is one of the best sounding Clash boots (3rd) available and comes from a great live period. It is a superb audience recording (individual voices near the microphones can be heard) using professional quality equipment. Of the instrumentation Topper’s magnificently powerful drumming comes through best, guitar’s are excellent too although a touch too far back in the mix, and Paul’s bass is very good but somewhat lacking in depth and focus. Vocals too are excellent but not quite as in your face as a soundboard recording. Overall there is a slightly harsh sound but these are minor criticisms of an excellent recording of a magnificent performance. The only defects in this recording are some patches of distortion, a few drop outs and the fact that this source has not been mixed by the likes of Bill Price for FHTE to pick out the instrumentation and improve the stereo separation. 16 track mobile studio for Rude Boy For Rude Boy (and CBS) this gig (3rd) was recorded professionally on a 16 track mobile studio like the previous gigs on the 28th and 29th December. More recently Sony have released more tracks through Sound System box set. (See above) Bootlegs Sort it Out CD - Sound 4 - 68min - USA 79 CD - Sound 4 - 64min - cd/m - 18 tracks Buy or Die CD - Sound 4 - 68min - cd/m - 21 tracks Offical Releases We have concentrated on teh intro and outro's of each song and Joes lyrics where there tends to be particulalr differences. Clash on Broadway box set
Rude Boy Cassette (official)
From Here to Eternity
From Here to Eternity sampler
From Here to Eternity II (unofficial)
Sony Sound System box set
Rude Boy Video -
Rude Boy DVD - with bonus track
Rude Boy Promo cassette more info Clash on Broadway Box Set - 5 - 6min - 2 tracks From Here To Eternity - Sound 5 - 6min - 2 tracks full gig - drom 16 track mobile studio Rude Boy Video - Sound 5 - 3min - mast - 1 track Rude Boy DVD - with bonus track - Sound 5 - Visit the Clash on Stage website for a comprehensive catalogue of unofficially released CD's and Vinyl. |
The Lyceum dates
The Sort It Out Tour London dates were added late due to difficulty finding a suitable larger sized venue. And partly to accomodate the finishing of the Rude Boy film.
The Lyceum Ballroom, just off The Strand was chosen not just for its larger capacity but because the stalls area was seat less. The fans could dance whilst those who wanted it could sit in the Circle and Upper Circle. In the late 70’s / early 80’s the Lyceum was a faded theatre used as a disco (with its large mirror ball hanging from the ceiling) and concert venue.
Nowadays its grandeur has been restored and it hosts bland West End Musicals. But at the close of 78 (and again in October 81) the Lyceum rocked (and how) to the Clash City Rockers.
The music press had covered the Sort It Out Tour in some depth earlier and only the Record Mirror reviewed these gigs. Sheila Prophet wrote, “Possibly the best gig I've ever seen Clash do. I can't think of a nicer way of ending `78.”
The Clash all dressed in black (for Dave Mingay’s benefit for Rude Boy live footage) and explode into Safe European Home, followed by the definitive live version of I Fought The Law.
Joe then says “Special hello to those of you who got Music Machine tickets and got fucked about at the door (referring to the Sid Benefit gig) and the whole lot of you for waiting”.The January date was added to cope with excess demand and problems at the Sid Benefit.
A brilliant Jail Guitar Doors follows with Joe singing the Toots & The Maytals lyrics “54, 46 that’s my number, right now someone else has that number”.
So many of the performances are brilliant and arguably the definitive live recordings in circulation (Drug Stabbing Time, Cheapskates, Julie probably - Tommy Gun and Clash City Rockers have a number of competitors not least the Something Else TV performances), that its easier to pick out the ones that are not superlative.
Police and Thieves has certainly been performed with more intensity and imagination, which together with Capital Radio are normally the standout songs from the 78 set lists because they allow more musical and lyrical improvisation. But here Capital Radio too whilst still highly enjoyable is not inspired. The FHTE decision to use the fantastic Lewisham 80 performance is vindicated.
White Man suffers from a tape edit mid way and a further edit that repeats the Robin Hood refrain. It’s a great performance though, with Joe spitting out the words with venom and passion.
There is a pause before Stay Free with Mick saying of Joe “he says just get on with it, that’s all he ever says to me”.
Stay Free suffers mid way with bass distortion and Mick’s vocals dropping of in the mix, before the song picks up again with some great lead work from Mick on the end coda. Julie’s Working for the Drug Squad, not normally a live favourite is excellent here, providing some contrast with its r’n’b almost funky backing.
The band then charge through the older crowd favourites (with Joe’s voice sounding increasingly hoarse), Janie Jones, Garageland, and into the encore of Complete Control, London’s Burning and White Riot with Mick teasing the audience over Topper’s drumming with “wait for it” before crashing into the first chords.
Did you go? What do you remember?
Info, articles, reviews, comments or photos welcome.
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Safe European Home |
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There are several sights that provide setlists but most mirror www.blackmarketclash.co.uk. They are worth checking.
from Setlist FM (cannot be relied on)
from Songkick (cannot be relied on)
... both have lists of people who say they went
& from the newer Concert Database
Also useful: Ultimate Music datbase, All Music, Clash books at DISCOGS
Numerous articles, interviews, reviews, posters, tour dates from the Sort it Out Tour, October to December 1978
If you know of any articles or references for this particular gig, anything that is missing, please do let us know.
Here is a list of known articles or references for all three nights at the Lyceum. If you know of anything that is missing please do let us know.
Clash gig oversold - extra date added
Chris Knowles
The Essential Clash Bootleg Bible
includes this gig
Record Mirror - 6 January 1979
Snow White Riot
presumedly form the 28th?
Another Clash benefit gig - December 1978
The Clash are proposing to play a special New Year benefit for under-privileged children in London’s East End. But at time of going to press no date or venue could be confirmed, although it’s expected to be early January.
Meanwhile their recent London Sid Vicious ‘benefit’ concert was an apparent success with “nearly £1,000” raised for Vicious, currently n custody in Rikers Island - New Yorks city jail.
Dream Deferred
The Clash - A riot of our own
UK Local Radio - 4 mins
BBC R1 - Rock On
10 mins John Tobler w/Mick & Paul
BBC Radio 1 various
Something Else TV/John Tobler Rock On w Joe Mick / John Tobler Paul Mick 80
London Lyceum 28th Dec
1 track on Rude Boy
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