1 2 3 4 5 6 7 8 9 10 11 12	Complete Control Londons Burning Clash City Rockers Tommy Gun Jail Guitar Doors White Man in Ham Palais Last Gang in Town Police and Thieves English Civil War Guns on the Roof Capital Radio White Riot

bold indicates on video. According to Mingay and Hazam, the tracks two tracks used for official releases were overdubbed - more info here.

From Here To Eternity
(audio only)Londons Burning

Rude Boy Promo cassette (audio only)
Londons Burning
White Riot

Rude Boy DVD
(video)Londons Burning
White Riot

There are several sights that provide setlists but most mirror www.blackmarketclash.co.uk. They are worth checking.

from Setlist FM (cannot be relied on)

from Songkick (cannot be relied on)
... both have lists of people who say they went

& from the newer Concert Database

Also useful: Ultimate Music datbase, All Music, Clash books at DISCOGS

Numerous articles, interviews, reviews, posters, tour dates from 'Rock Against Racism' Carnival and the early gigs of 1978

If you know of any articles or references for this particular gig, anything that is missing, please do let us know.

All the photos and images

NME Thrills

Tom Robinson rally
The Clash were aded later

Rock Aganist Racism Carnival
with Tom Robinson Band, X-Ray-Spex, Steel Pulse, Patrik Fitzgerald

Note the use of Pauls backdrop...

updated 7 July 2008 - added mike morgans view
updated - added link to Lewisham NF riots and ANL Aug 1977
updated - major redesign and additions 7 April 2020
updated May 2021 added poster, badges and transport and NME Thrills and Spurs against the Nazis

Please leave any comments here. Thanks.

Audio - full audience recorded gig
complete gig - Sound 1.5 - 42min -- low generation cdr - 12 tracks

White Riot from audience tape (to compare)

The only other recording in circulation is a fairly poor audience recording, not low generation but containing most (if not all) of the set.

The sound swirls and blurs constantly and suffers not surprisingly from distance. It conveys some of the atmosphere although chat from near the taper is detracting.

Drums and bass come over well but vocals and guitars are poor and the sound is very poor but listenable just.

From Here To Eternity DVD- Sound 5 - 3min - 1 track -
- supposedly overdubbed

Rude Boy Promo cassette
- Sound 5 - 6min - 1gen - 2 tracks
According to Mingay and Hazam, the tracks two tracks used for officail releases were overdubbed - more info here. This tape was probably the last one surviving. It was a demo tape tape not publicly circulated.

Rude Boy DVD - edited - Quality 5 - 6min - mast - 2 tracks
supposedly overdubbed

Privately shot footage of the whole Clash set exists in black & white and was used in the in Julan Temple's Clash film, The Future is Unwritten

Rumours persist that a/v footage was shot by the organisers for fund raising releases and that this still exists. The black & white audience/footage was used in documenatary film "Who Shot the Sheriff". So far only Londons Burning and White Riot shot by Hazan and Mingay (Rude Boy) exists.

ROCK AGAINST RACISM: ON THE FRONT LINE WITH THE CLASH, SPECIALS, UNDERTONES & ELVIS COSTELLO

12.10.2014 | Dangerous Minds

It all began in 1968 when an old Tory coot Enoch Powell gave a racist speech against immigration and anti-discrimination legislation at his West Midlands constituency in England. Powell claimed he was horrified at what he believed was an unstoppable flow of immigration that would eventually swamp the country where “in fifteen or twenty years’ time the black man will have the whip hand over the white man.” It was an incendiary and offensive speech full bile and hate, and became known as the “Rivers of blood speech” because of Powell’s quotation from Virgil’s Aeneid about “‘the River Tiber foaming with much blood.’”

Many of the white working class supported Powell, most shamefully the London dockers’ union staged a one day strike in his favor. Powell became the pin-up of the far right and his words appeared to sanction their rise, in particular the odious neo-Nazi National Front that promoted its racist policies with the boot as much as the ballot. Against this rose Rock Against Racism—“a raggedy arsed united front” co-founded by Red Saunders, Roger Huddle and others in 1976.

At first, Rock Against Racism was just an idea—a way to bring together a new generation of youth against the stealthy rise of the far right. It may have remained just an idea had it not been for Eric Clapton announcing during a concert in 1976 that the UK had “become overcrowded” and his fans should vote for Enoch Powell to stop Britain from becoming “a black colony.” Allegedly Clapton then shouted “Keep Britain white.” His racist tirade led to Saunders and Huddle writing a letter to the music paper NME pointing out that half Clapton’s music was black. The letter ended with a call for readers to help establish Rock Against Racism. The response was overwhelmingly positive.

In April 1978, 100,000 people marched across London in support of Rock Against Racism, which was followed by a concert at Victoria Park headlined by The Clash and the Tom Robinson Band. It was a momentous event, which singer and activist Billy Bragg correctly described as “the moment when my generation took sides.”

Photographer Syd Shelton documented the rise of Rock Against Racism during the 1970s and 1980s from its first demonstrations, the concert in Victoria Park, to the gigs, bands, musicians (The Clash, The Specials, The Undertones, Elvis Costello, etc), the young activists and supporters who stood up and proudly said: “Love Music, Hate Racism.”

Previously on Dangerous Minds

Eric Clapton’s disgusting racist tirade

The RAR gig

The RAR gig proved a significant milestone in The Clash’s history: the first time in front of a huge audience; estimated at anywhere between 50 to 100,000. It attracted national media attention and had a direct association with organised left wing politics to which the Clash, Joe particularly, were sympathetic.

Much was made of Joe's Brigade Rosse shirt. Famoulsly interviewed after by Terry Lot for Record Mirror Joe had quite a bit to say. The full text from that interview is here.

The event is well documented, A Riot Of Our Own, Last Gang both have extensive chronologies, and also amongst the media at the time as well as the Rude Boy video and DVD footage. Both are identical and contain 2 songs as does the promo cassette from Atlantic Publishing (for further info on this cass. check George Gimarcs 'Post Punk Dairy' page 103). One track made it onto the official live release.

Significant impact

RAR had a significant impact in raising the consciousness of young people against racism and the National Front. Playing at the rally was perfectly logical in view of the bands anti-racist stance since forming two year’s earlier. A platform for The Clash to present their stance, through songs such as English Civil War (debuted here), about the dangers of the far right.

The previous Aug 77 had seen riots in Lewisham with NF marchers confroneted by ANLanti-protestors. Link here.

The bands performance is a very well received, one of the highlights of Rude Boy is seeing tens of thousands of people pogoing to White Riot. Hazan and Mingay for the Rude Boy film recorded White Riot and London’s Burning.

audio and video and overdubs

Songs that can be found on the Rude Boy promo cassette (Rude Boy outtakes), whilst London’s Burning is on the official release, From Here To Eternity, all in excellent sound quality, though there was some subsequent remixes of studio dubs to enhance the quality. The films producers claim this to be minimal but other sources, such as Green suggest otherwise.

They also claimed film was in short supply so they tended to never record whole gigs, though more may exist somewhere as may further professional audio recordings from the gig and 1978 as a whole.

Joe voices fears over crushing throughout and at one point asks “is anyone under your feet, go on have a look, someone tells me there’s some dead people. Let the medical supplies through”.

Tommy Gun has developed since Barbarella’s in January and is very similar to the Something Else TV programme version with Topper’s machine gun drum pattern ending now in place.

White Man has also developed with the recorded words all now in place; “turning rebellion into money” replacing the “millions of yen down Japan way”.

The rare Last Gang In Town is introduced by “everybody thinks their in it”.

Police & Thieves is edited mid point losing a small section but the debuts of English Civil War & Guns On The Roof are both unfortunately heavily edited with only the opening 50 seconds of the former surviving and the last 90 seconds of the latter.

Guns on the Roof seques into Capital Radio and the recording then ends with the well documented White Riot and Joe’s comment “if you wanna hear White Riot you’ve got to sing it yourself!”

It maybe that more songs were played than appear here (no Janie Jones for example).

All the photos and images

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More photos at the bottom

Did you go? What do you remember?

Any info, articles, reviews, comments or photos welcome.
Please email blackmarketclash or post below on bmc facebook post.

1978? at a Rock Against Racism/Anti-Nazi festival in Victoria Park(?) I saw the Clash live for the first time. The sound was appalling and Mick Jones was wearing pink trousers. We were miles away from the stage but there was still something very wow about Strummer. So much anger. So much energy.

courtesy of mike morgan & www.smokebox.net

The call up: So long Joe Strummer

English Civil War

In the summer of 1978, I saw the Clash perform at a vast "Rock Against Racism" rally in Victoria Park, East London.

This was the outdoor concert footage that was used in the film Rude Boy. The march to the park was particularly memorable since it took the resistors through the streets of Hackney and the East End, a neighborhood notorious for British National Front fascist street activity, their favorite pastime being the clobbering of non-white immigrants, especially women.

As we wound our way through the community, the fascists, grossly outnumbered, glowered and leered at the protestors. One outstanding moment involved a spindly, pale, acned ubermensch wearing the colors of the BNF and a "Hitler Was Right" t-shirt.

It was too much for the rowdy demonstrators to pass up. Singling this poor bastard out, the crowd began to chant, "There's the master race, Beware!" The idiot racist turned crimson as tens of thousands of marchers loudly earmarked him as the symbol of all that was wrong. Mortified, he slunk home, probably to listen to his Stranglers record.

Later on at the concert, Joe Strummer hooped and hollered the lyrics to "Safe European Home" as the band twanged and bashed its way through that anthem.

As true today as it was back then, safety is only assured when we take matters into our own hands and don't allow those with bloodthirsty agendas to steer the ship. Joe knew it then, and he knew it up to the day of his untimely passing.

Perhaps the most telling scene in the film Rude Boy portrays Joe in a pub trying to explain to the confused lumpen roadie why the "get back to Russia" argument is fallacious. "The same fat cats drive the big cars there as the ones who do here," taught Joe.

Safe home, wherever you are Mr. Strummer...Stay Free!
-- mike morgan

Did you go? What do you remember?
Info, articles, reviews, comments or photos welcome.
Please email blackmarketclash